In addition to running Academic Editing Canada, I'm an Independent Scholar of disability studies and science fiction (specializing in cyberpunk and feminist SF). I'm the proud co-editor (with Djibril al-Ayad) of Accessing the Future, a disability-themed SF anthology; editor of Disability in Science Fiction: Representations of Technology as Cure; and the inaugural recipient of the Le Guin Feminist Science Fiction Fellowship. My PhD thesis is awesome: Bleeding Chrome: Technology and the Vulnerable Body in Feminist Post-Cyberpunk SF [pdf].
I came across this feminist science fiction fellowship the other week--it looks amazing! As soon as I saw it, I knew that I would have to apply for it. For any feminist science fiction scholar, this is simply not an opportunity to be missed:
The Le Guin Feminist Science Fiction Fellowship
Sponsored by the Center for the Study of Women in Society, Robert D. Clark Honors College, and the UO Libraries. Special Collections and University Archives.
As part of the Center for the Study of Women in Society’s 40th Anniversary Celebration, and as a way of honoring the role that Special Collections and University Archives (SCUA) played in the founding of CSWS, we are collaborating with the University of Oregon Knight Library and the Robert D. Clark Honors College (CHC) to create the Le Guin Feminist Science Fiction Fellowship. (Guidelines PDF)
Purpose: The intention of the Le Guin Feminist Science Fiction Fellowship is to encourage research within collections in the area of feminist science fiction. The Knight Library houses the papers of authors Ursula K. Le Guin, Joanna Russ, Kate Wilhelm, Suzette Haden Elgin, Sally Miller Gearhart, Kate Elliot, Molly Gloss, Laurie Marks, and Jessica Salmonson, along with Damon Knight. SCUA is also in the process of acquiring the papers of James Tiptree, Jr. and other key feminist science fiction authors.
Fellowship description: This award supports travel for the purpose of research on, and work with, the papers of feminist science fiction authors housed in the Knight Library. These short-term research fellowships are open to undergraduates, master’s and doctoral students, postdoctoral scholars, college and university faculty at every rank, and independent scholars working in feminist science fiction. In 2013, $3,000 will be awarded to conduct research within these collections. The fellowship selection committee will include representatives from CSWS, CHC, and the UO Libraries.
- Complete their research at the University of Oregon within a year of award notification;
- Submit a 1,000-word (maximum) essay on their research topic to CSWS for possible inclusion in publications;
- Meet with representatives from CSWS, CHC, and SCUA during their visit to Eugene;
- Submit a separate paragraph to CSWS documenting the specific collections consulted during the fellowship;
- Submit a copy of their final project or publication to CSWS;
- Acknowledge the Le Guin Feminist Science Fiction Fellowship and its sponsors (Center for the Study of Women in Society, Robert D. Clark Honors College, and Knight Library Special Collections and University Archives) in all publications resulting from the research fellowship.
Applicants must submit by September 1, 2013:
- A 1,000-word (maximum) proposal that describes the project for which these collections will be consulted, as well as the role that the applicant expects these collections will play in the project;
- An anticipated budget for the research visit;
- A two-page curriculum vitae or resume;
- Full contact information;
- Two letters of recommendation.
Applications (as PDF attachments) and questions should be emailed to Jenée Wilde, CSWS Development GTF (jenee[at]uoregon[dot]edu).
As part of CSWS’s 40th Anniversary Celebration, the Le Guin Feminist Science Fiction Fellowship recipient for 2013-14 will be announced at the Sally Miller Gearhart “Worlds Beyond World” Symposium, University of Oregon, November 8-9, 2013, with honored guest speaker Ursula K. Le Guin.
Even though I'm not a gothic studies scholar, this CFP really caught my eye. A perfect opportunity to use a disability studies framework! I don't think I'll have the time to propose a paper, but I'm certainly going to consider it.
Gothic and Medical Humanities Call for Papers
Proposals are invited for a special issue of Gothic Studies exploring intersections between the Gothic and medical humanities.
Gothic studies has long grappled with suffering bodies, and the fragility of human flesh in the grip of medical and legal discourse continues to be manifest in chilling literature and film. The direction of influence goes both ways: Gothic literary elements have arguably influenced medical writing, such as the nineteenth-century clinical case study. In this second decade of the twenty-first century, it seems apt to freshly examine intersections between the two fields.
The closing years of the twentieth century saw the emergence of medical humanities, an interdisciplinary blend of humanities and social science approaches under the dual goals of using arts to enhance medical education and interrogating medical practice and discourse. Analysis of period medical discourse, legal categories and medical technologies can enrich literary criticism in richly contextualising fictional works within medical practices. Such criticism can be seen as extending the drive towards historicised and localised criticism that has characterised much in Gothic studies in recent decades.
Our field offers textual strategies for analysing the processes by which medical discourse, medical processes and globalised biotechnological networks can, at times, do violence to human bodies and minds – both of patient and practitioner. Cultural studies of medicine analyse and unmask this violence. This special issue will explore Gothic representations of the way medical practice controls, classifies and torments the body in the service of healing.
Essays could address any of the following in any period, eighteenth-century to the present:
· Medical discourse as itself Gothic (e.g., metaphors in medical writing; links between case histories and the Gothic tradition), and/or reflections on how specific medical discourses have shaped Gothic literary forms
· Illness narratives and the Gothic (e.g., using Arthur Frank’s ‘chaos narratives’ of helplessness in The Wounded Storyteller).
· Literary texts about medical processes as torture/torment in specific historical and geographic contexts (including contemporary contexts)
· Doctors or nurses represented in literature as themselves Gothic ‘victims’, constrained by their medical environment
· Genetic testing; organ harvest; genetic engineering; reproductive technologies; limb prostheses; human cloning, and more.
To date the links between Gothic and psychiatric medical discourse have been the most thoroughly explored, so preference will be given to articles exploring other, non-psychiatric medical contexts in the interests of opening up new connections.
Please email 500-word abstract and curriculum vitae to Dr Sara Wasson, s.wasson[at]napier[dot]ac[dot]uk. Deadline for proposals: 1 October 2013.
The official journal of the International Gothic Studies Association considers the field of Gothic studies from the eighteenth century to the present day. The aim of Gothic Studies is not merely to open a forum for dialogue and cultural criticism, but to provide a specialist journal for scholars working in a field which is today taught or researched in almost all academic establishments. Gothic Studies invites contributions from scholars working within any period of the Gothic; interdisciplinary scholarship is especially welcome, as are readings in the media and beyond the written word.
For more information on Gothic Studies, including submission guidelines and subscription recommendations, please see the journals website: http://www.manchesteruniversitypress.co.uk/cgi-bin/scribe?showinfo=ip022
Good news! My proposed paper was accepted for the Science Fiction: The Interdisciplinary Genre conference at McMaster this fall. I'm particularly excited about writing and presenting this one, since it will be my first try at crafting a theoretical framework in a conference paper (more than simply presenting an analysis). Here is my proposal:
Backwards and Beyond: Neuroscience and Disability in Robert J. Sawyer’s WWW Trilogy
In Robert J. Sawyer’s WWW trilogy (Wake, Watch, Wonder), Caitlin Decker is a blind teenager who is given technology that enables her to see both the physical world and the virtual realm of the internet. She becomes a figure that stands between a human past where intelligence is characterized as singular and “primitive” (represented by the apes Hobo and Virgil) and a “posthuman” future where intelligence is multi-faceted and supported by a great number of organic and inorganic technologies (i.e,. the spontaneous AI, Webmind). Framing my reading of the books within Disability Studies, I propose that Caitlin’s prosthetic enhancement, as well as the novel kinds of intelligence displayed by both the apes and Webmind, disrupt the Western cultural construction of disability as a biomedical condition that can be known, contained and controlled.
In Cultural Locations of Disability, Sharon Snyder and David Mitchell contend that the disabled body is often characterized as temporally in flux: “As a vector of human variability, disabled bodies both represent a throwback to a human prehistory and serve as the barometer of a future without ‘deviancy’” (32). Given that current neuroscience demonstrates that the brain is far more complex than previously understood--moving away from the study of the single neuron to positing that “communities” of neurons act together to complete a task, allowing for the direct integration of prosthetic technology into the brain (see Miguel Nicolelis’ Beyond Boundaries)--the Western biomedical model’s conception of disabled bodies as “primitive” or limited must be reconsidered. I will theorize how the threats to normative human embodiment displayed by the “enhanced” disabled/deviant bodies in Sawyer’s WWW trilogy reflect the advancements in neuroscience that have disrupted the distinction between the “primitive” and “human” being. My reading of the science fiction series will address the necessity of changing our Western understanding of what constitutes intelligence and ability, and which bodies are therefore entitled to autonomy and self-determination.
Nicolelis, Miguel. Beyond Boundaries: The New Neuroscience of Connection Brains with Machines -- And How it Will Change Our Lives. New York: Times Books, 2011. Print.
Sawyer, Robert J. Wake. Toronto: Penguin Canada, 2009. Print.
– – –. Watch. Toronto: Penguin Canada, 2010. Print.
– – –. Wonder. Toronto: Viking Canada, 2011. Print.
Snyder, Sharon L. and David T. Mitchell. Cultural Locations of Disability. Chicago: The University of Chicago Press, 2006. Print.
My edited collection, Disability in Science Fiction: Representations of Technology as Cure, will be published by Palgrave Macmillan August 8, 2013. It is available for pre-order from most major North American and European booksellers!
Book description: In science fiction, technology often modifies, supports, and attempts to "make normal" the disabled body. In this groundbreaking collection, twelve international scholars – with backgrounds in disability studies, English and world literature, classics, and history – discuss the representation of dis/ability, medical "cures," technology, and the body in science fiction. Bringing together the fields of disability studies and science fiction, this book explores the ways dis/abled bodies use prosthetics to challenge common ideas about ability and human being, as well as proposes new understandings of what "technology as cure" means for people with disabilities in a (post)human future.
Additional note: I edited this collection for both scholars and serious fans of SF. The analysis is academic, but the language accessible (i.e., we avoid esoteric terms & explain any complex theoretical ideas).
For anyone interested in what's inside, here's a sneak peek:
TABLE OF CONTENTS
Introduction: Reading Disability in Science Fiction, Kathryn Allan
Theorizing Disability in Science Fiction
1. Tools to Help You Think: Intersections between Disability Studies and the Writings of Samuel R. Delany, Joanne Woiak and Hioni Karamanos
2. Freaks and Extraordinary Bodies: Disability as Generic Marker in John Varley’s “Tango Charlie and Foxtrot Romeo,” Ria Cheyne
3. The Many Voices of Charlie Gordon: On the Representation of Intellectual Disability in Daniel Keyes’s Flowers for Algernon, Howard Sklar
4. The Metamorphic Body in Science Fiction: From Prosthetic Correction to Utopian Enhancement, António Fernando Cascais
Human Boundaries and Prosthetic Bodies
5. Prosthetic Bodies: The Convergence of Disability, Technology and Capital in Peter Watts’ Blindsight and Ian McDonald’s River of Gods, Netty Mattar
6. The Bionic Woman: Machine or Human?, Donna Binns
7. Star Wars, Limb-loss, and What it Means to be Human, Ralph Covino
8. Animal and Alien Bodies as Prostheses: Reframing Disability in Avatar and How to Train Your Dragon, Leigha McReynolds
Cure Narratives for the (Post)human Future
9. “Great Clumsy Dinosaurs”: The Disabled Body in the Posthuman World, Brent Walter Cline
10. Disabled Hero, Sick Society: Sophocles’ Philoctetes and Robert Silverberg’s The Man in the Maze, Robert W. Cape, Jr.
11. “Everything is always changing”: Autism, Normalcy, and Progress in Elizabeth Moon’s The Speed of Dark and Nancy Fulda’s “Movement,” Christy Tidwell
12. Life without Hope? Huntington’s Disease and Genetic Futurity, Gerry Canavan