Disability in Science Fiction: Cover Talk

Monday, 12 August 2013 17:21

My edited collection, Disability in Science Fiction: Representations of Technology as Cure, is available for sale August 14th (Google for your choice of internet bookseller)!

I received my author copies late last week and the book looks beautiful. I love the cover (thanks to Andrew Holden and Tom Pepper)--I think it perfectly reflects the critical analysis going on inside. When I was brainstorming ideas for the cover, I wanted an abstract image of a person being dissected, or broken down into their physical parts. The shearing away of the mid-section stands in for the ways in which the disabled body is often medicalized into its "problem" parts (instead being viewed as a functioning whole). I also wanted to express the impact of technology on the body--the "+" and "Ø" signs represent binary code (1s and 0s). And since there is an emphasis on prostheses in book, the arm in red both marks the simultaneous absence/addition of such technology to the body.

The image can be read in a number of interesting ways, relevant to both science fiction and disability. In the design, there is a sense of transcendence from the fleshy body that I didn't anticipate coming through. I like that the figure appears to continue off the left side--no arm is visible there but the person nevertheless feels complete. Overall, I think the cover nails the focus of the content of the collection.

I hope that people enjoy Disability in Science Fiction and decide to take up their own responses to the ways in which disability and people with disabilities are represented in science fiction (and fantasy, horror, romance, mystery, and all the other understudied genres). There is a lot of critical ground to cover, images to unpack, and new stories to be written. Disability in SF is only one piece of a larger, on-going conversation and I'm excited to be part of it!

2 comments

  • Comment Link Kathryn Thursday, 17 October 2013 16:22 posted by Kathryn

    So I was talking to my partner Andrew about the cover design and the comment you left--and it turns out that he was thinking of Saul Bass when he came up with the concept.

    So, yeah! Good eye Bill. Andrew was super pleased to hear that someone saw that similarity in style there.

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  • Comment Link Bill Higgins-- Beam Jockey Thursday, 05 September 2013 15:30 posted by Bill Higgins-- Beam Jockey

    It also has a Saul Bass-ish look that evokes the heyday of abstract art on SF paperbacks in the Sixties.

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